“Carol”- Looking at potential Best Adapted Screenplay Hollywood Contender Hollywood Contenders: As you lovely ladies and gentlemen all must know by now it’s one thing entirely to read early Academy Award predictions in order to see what pundits like myself think will happen this winter but it’s a whole separate thing to actually know something about who and what will be in contention. To help out in that specific regard I’m continuing to run down some of the major contenders in each Oscar category in order to prep you all for the season to come. Basically the format will have me saying a few words about what or who I feel are the top tier contenders right now in said categories along with a longer list afterwards of many of the other hopefuls that the Academy might potentially take a shine to. Consider this a sort of before the awards season cheat sheet to have in your back pocket.
Today I’m continuing on with the series but moving on from the acting categories and hitting the writing ones…starting off with Best Adapted Screenplay.
Here are the ten particular films/scripts that I have in play for Best Adapted Screenplay with the top five cracking the unofficial lineup at this point:
- The Martian – Considering how well I have this film doing in my predictions it kind of has to be the top dog here right? Drew Goddard penned this adaptation and is a very underrated writer (he also was the original director for this one) so even if I’m possibly putting this one too high up in predictions it still deserves a spot in a top five. It’s my frontrunner for now though until proven otherwise. A make or break debut at the Toronto Film Festival is on the horizon for Goddard and the film on the whole…
- Carol – Perhaps the safer bet for the category is this one right here. Phyllis Nagy adapted this one and pretty much everyone who saw it at the Cannes Film Festival raved about every aspect of the film. I’d be pretty surprised if this script didn’t wind up being one of the nominated five. It could even be the most likely one to take home the statue but that remains to be seen. Suffice to say though that Nagy is very much in it.
- Brooklyn – Another safe bet in the category is Nick Hornby’s adaptation here. He’s a prior nominee in Best Adapted Screenplay for An Education and just missed last year for Wild so this is sort of his peciality. It’s far more likely than not that Hornby is nominated for the second time though obviously nothing is set in stone right at this particular moment in the season.
- Steve Jobs – As a huge Aaron Sorkin fan I can’t wait to hear more of his trademark dialogue. The Academy tends to enjoy Sorkin as well having given him an Oscar in Best Adapted Screenplay for The Social Network and a nomination for having co-written Moneyball. Here he’s done another high profile adaptation that seems like it should be right up their alley. A win might be hard but a nomination could easily happen again for him.
- The Revenant – Depending on how this one turns out Alejandro González Iñárritu’s script that he wrote with Mark L. Smith could have him in contention for another Academy Award. He won in Best Original Screenplay last year for Birdman so maybe Iñárritu can make for a sweep of the writer/director prizes by getting himself on in Best Adapted Screenplay? I have my doubts about another win but I wouldn’t bet against another nomination coming his way at all. We shall see though…
- The Light Between Oceans *possible 2016 release – If not for the decent chance this winds up a 2016 release I’d probably have made room for this in the top five. As such Derek Cianfrance’s adaptation is just barely on the outside looking in right now. He’s very due to finally get a nod so if this becomes a 2015 release his odds will improve. Sit tight to find out if this will have a chance at a nom this year or if Cianfrance will have to wait until next year in order to contend.
- Freeheld – Biopics tend to do well here so you have to expect that Ron Nyswaner will be in play here. He was once nominated in Best Original Screenplay for Philadelphia so now he’ll seek to get a citation in Best Adapted Screenplay as well. This film seems like it’ll be a solid player in a number of categories so if the quality is there definitely watch out for Nyswaner…
- The Danish Girl – Speaking of biopics here’s another one to consider. Scribe Lucinda Coxon has yet to do much worth considering for awards but this adaptation will definitely have her in play for Best Adapted Screenplay. It seems mostly like an acting vehicle but looks can be deceiving. If Oscar goes gaga over this one all bets are off for Coxon and anything is possible.
- Room – With this one it’ll just be a case of if it can be seen by voters. Emma Donoghue adapted her own novel and folks are very much looking forward to this drama. Best Adapted Screenplay can sometimes be a bit unkind to the smaller players so if that winds up not being the case this should be ble to contend in a substantial way. For now though we’ll just have to wait and see what happens for Donoghue…
- The End of the Tour – A dark horse worth taking note of scribe Donald Margulies has already been heavily praised for his adaptation here but he will have to see if the film can sustain through the fall months. It might wind up lost in the shuffle but if it’s not…I think this could definitely make a play for a nomination. Margulies is a candidate not to sleep on for sure.
Next in line I’d have these ten contenders (just sans my commentary here) for Best Adapted Screenplay:
- Black Mass
- In the Heart of the Sea
- The Walk
- I Saw the Light
- Beasts of No Nation
- Star Wars: The Force Awakens
Finally here are ten more possibilities to give us a top 30 to cull from just sans commentary as well:
- Mad Max: Fury Road
- Mr. Holmes
- Me and Earl and the Dying Girl
- Tulip Fever
- Far from the Maddening Crowd
- The Dressmaker
- Z for Zachariah
That’s what the Best Adapted Screenplay race could very well be made up of ladies and gents. Stay tuned next week for my look at the Best Original Screenplay race!